Alison Counsell is a leader in the new wave of Metalsmiths utilizing mass production techniques to create new and challenging work.

In The Acid Test Alison Counsell explores the vessel form: from Holy communion sets to fruit platters and sculptural objects.

The work exhibited uses advanced photo etching techniques: an industrial process in which the image is applied to metal sheet then areas are selectively etched away by immersion in acid. Images on the surface of the metal are generated using both computers and free hand drawing. Inspiration come from a variety of sources, maps, technical illustrations and the structure of fabrics all find use within the final work. The etching technique has been used in experimenting with the metal to explore both form, surface and texture. After etching, the metal is then manipulated into highly detailed shapes and contours.

Experimental processes have evolved in to treating metal as cloth, applying pattern to the surface, then cutting and assembling the metal sheet into the finished piece. Additional details machined from different materials are applied almost like buttons, holding the metal in place, a further allusion to textiles. Alternatively a series of work based on landscape form appears to drape over delicate rests.

Counsell has also used positive and negative photo imaging. This enables pieces to locate and fit into each other or give the illusion of part of the metal being peeled away from its host. Gridwork is used in vessels to allow the selective addition and positioning of decorative pieces.

Alison Counsell has been shortlisted for the Peugeot Design Awards,received commendations from the Finnish International Stainless Steel Design competition. Commissions include work for the " British Guild of Travel Writers", "The Lorenzo Natali Prize for Journalism" and " The International Federation of Journalists" prize. Her work can be found in The Shipley Art Gallery, The Yorkshire Craft Gallery and The Victoria and Albert Museum.

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